DISC 1
Went to See the Gypsy (alternate version, New Morning, 3/3/70)
Written by Bob Dylan
I went to see the gypsy
Stayin' in a big hotel
He smiled when he saw me comin'
An' he wished me well
His room was dark and crowded
The lights were low and dim.
"How are you?'', he asked of me
And I asked the same of him
I went down to the lobby
To make a small call out
A pretty dancin' girl was there
And she began to shout
"Go on back to see the gypsy
He can rid you of your fear
He did it in Las Vegas
And he can do it here.''
Oh, the lights were on the river
Shinin’ from outside
I contemplated every move
Or at least I tried
I went back to see the gypsy
It was nearly early dawn
The gypsy's door was open
But the gypsy was gone
And that pretty dancin' girl
Oh, she could not be found
So I watched the sun come rising
In a little Minnesota town
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
In Search of Little Sadie (without overdubs, Self Portrait, 3/3/70)
Traditional, arranged by Bob Dylan
Went out last night to take a little round
I met little Sadie and I blowed her down
I ran right home and I went to bed
With a .44 smokeless under my head
Went out last night to take a little round
I met little Sadie and I blowed her down
I ran right home and I went to bed
With a .44 smokeless under my head
I began to think "What a deed I done?"
Grabbed my head and away I've run
Made a good run but I ran too slow
They overtook me down in Jericho
Standin' on the corner ringin' my bell
Up stepped sheriff from Thomasville
He says "Young man is your name Brown?
Remember the night that you blowed little Sadie down."
"Oh yes sir my name is Lee
I murdered little Sadie in first degree"
"First degree and second degree
Got any papers will you serve 'em to me."
Took me downtown and they dressed me in black
They put me on a train and they brought me back
Had no one to go my bail
They crammed me back into the county jail.
Judge and jury they took their stand
Judge had the papers in his hand
41 days, 41 nights, 41 years
To wear the ball and stripes
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Pretty Saro (unreleased, Self Portrait, 3/3/70)
Traditional, arranged by Bob Dylan
Down in some lone valley
In a sad lonesome place
Where the wild birds do warble
Their notes to increase
Farewell pretty Saro
I bid you Adieu
But I dream of pretty Saro
Wherever I go
Well my love she won't have me
So I understand
She wants a freeholder
Who owns a house and land
I cannot maintain her
With silver and gold
And all of the fine things
That a big house can hold
If I was a poet
And could write a fine hand
I'd write my love a letter
That she'd understand
And write it by the river
Where the waters overflow
But I dream of pretty Saro
Wherever I go
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Alberta #3 (alternate version, Self Portrait, 3/5/70)
Traditional, arranged by Bob Dylan
Alberta let your hair hang low
Alberta let your hair hang low
I'll give you more gold
Than your apron strings can hold
If you'd only let your hair hang low.
Alberta what's on your mind
Alberta what's on your mind
You keep me worried and bothered
All of the time
Alberta what's on your mind.
Bob Dylan (vocals, guitar, harmonica)
David Bromberg (dobro)
Al Kooper (piano)
Stu Woods (bass)
Alvin Rogers (drums)
Hilda Harris, Albertine Robinson, Maeretha Stewart (background vocals)
Spanish is the Loving Tongue (unreleased, New Morning, 6/2/70)
Written by Charles Badger Clark
Spanish is the loving tongue,
Soft as music, light as spray:
'Twas a girl I learned it from,
Living down Sonora way.
I don't look much like a lover,
Still I hear her love words over,
Mostly when I'm all alone,
"Mi amor, mi corazón."
On the nights that I would ride
She would listen for my spurs,
Throw that big door open wide,
Raise those laughin' eyes of hers;
Oh how the night would go a-flyin'!
All too soon I'd hear her sighin'
In her sweet and quiet tone
"Mi amor, mi corazón."
Haven’t seen her since that night
I can't cross the line, you know.
They want me for a gambling fight
Like as not, it’s better so
Still I always kind of missed her
Since that last sad night I kissed her
Left her heart, I broke my own
"Adios, mi corazón!"
Bob Dylan (vocals, piano)
Annie's Going to Sing Her Song (unreleased, Self Portrait, 3/4/70)
Written by Tom Paxton
What's your hurry? Just watch this.
This is one you mustn't miss:
Annie's going to sing her song,
Called "Take Me Back Again."
A drink for me, a drink for you;
You're going to need a drink or two:
Annie's going to sing that song,
Called "Take Me Back Again."
You never heard it sung before;
I hear it twice a month or more,
Complete with tears and sheepish grins;
It only lacks the violins.
The tune goes flat from time to time,
The lyric sometimes it fails to rhyme,
But Annie's going to sing her song,
Called "Take Me Back Again."
Sometimes lasts the whole night long,
Depends on how long she's been gone,
I sit and look as hard as nails;
She knows the damn thing never fails.
Take the bottle, fill your cup;
Don't miss the part where I fold up;
Annie's going to sing her song,
Called "Take Me Back Again."
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Al Kooper (piano)
Time Passes Slowly #1 (alternate version, New Morning, 5/1/70)
Written by Bob Dylan
Time passes slowly
Up here in the mountains
We sit beside bridges
And walked beside fountains
Catch the wild fishes
That float thru the stream
Times passes slow
When you're lost in a dream.
Once I had a sweetheart
She was fine an' good lookin'
We sat in the kitchen
While her mama was cookin'
Stared out the window
To the stars high above
Time passes slowly
When you're searchin' for love.
Ain't no reason to go
In the morning to town
Ain't no reason to go
To the fair
Ain't no reason to go up
Ain't no reason to go down
Ain't no reason to go anywhere.
Time passes slowly
Up here in the daylight
We stared straight ahead
And tried so hard to stay right
Like a cloud drifting over
That covers the day
Time passes slowly
Then fades away.
Bob Dylan (vocals, guitar)
George Harrison (vocals, guitar)
Charlie Daniels (bass)
Russ Kunkel (drums)
Only a Hobo (unreleased, Bob Dylan's Greatest Hits Vol. II, 9/1/71)
Written by Bob Dylan
As I was out walkin' on the corner one day
I spied an old hobo in a doorway he lay
His face was all grounded in the cold sidewalk floor
And I guess he been dead for the whole night or more.
Only a hobo but one more is gone
Leavin' nobody to sing his sad song
Leavin' nobody to carry him home
He was only a hobo but one more is gone.
Only a hobo but one more is gone
A blanket of newspaper covered his head
As the step was his pillow, and the street was his bed
One look at his face showed the hard road he’d come
A fistful of coins showed the money he bummed.
Yeah, he was only a hobo but one more is gone
Leavin' nobody to sing his sad song
Leavin' nobody to carry him home
He was only a hobo but one more is gone.
Only a hobo but one more is gone
Does it take much of a man to see his whole life go down
To look up in the world from a hole in the ground
To wait for your future like a horse that's gone lame
To lie in the gutter an' die with no name.
He was only a hobo but one more is gone
Leavin' nobody to sing his sad song
Leavin' nobody to carry him home
He was only a hobo but one more is gone.
Only a hobo but one more is gone
Bob Dylan (vocals, guitar, harmonica)
Happy Traum (background vocals, banjo)
Minstrel Boy (unreleased, The Basement Tapes, c. 1967)
Written by Bob Dylan
Who's gonna throw that minstrel boy a coin?
Who's gonna let it down and roll?
Who's gonna throw that minstrel boy a coin?
Who's gonna throw and all or let him go home?
Oh i ain't got baby in this he??? four time ????? i
can't tell when he look in down his blues
without his ?????? ????????
Who's gonna throw that minstrel boy a coin?
Who's gonna let it roll?
Who's gonna throw that minstrel boy a coin?
Who's gonna throw and ??? or let him go home?
Bob Dylan (vocals, guitar)
Robbie Robertson (guitar)
Rick Danko (vocals, bass)
Garth Hudson (keyboards)
Richard Manuel (vocals, piano)
Levon Helm (vocals, drums)
I Threw It All Away (alternate version, Nashville Skyline, 2/16/69)
Written by Bob Dylan
I once held her in my arms
She said she would always stay.
But I was cruel
I treated her like a fool
I threw it all away.
Once I had mountains in the palm of my hand
An' rivers that ran thru everyday.
But I must have been mad
I never knew what I had
Until I threw it all away.
Love is all there is
It makes the world go round.
Love and only love
It can't be denied.
No matter what you think about it
You just won't be able to do without it
Take a tip from one who tried.
So if you find someone
Who gives you all of her love
Take it to your heart
Don't let it stray.
Oh, one thing for certain
You will surely be hurtin'
If you throw it all away
If you throw it all away.
Bob Dylan (vocals, guitar)
Bob Wilson (piano)
Charlie Daniels (guitar)
Charlie McCoy (bass)
Norman Blake (guitar)
Kelton D. Herston (guitar)
Kenneth Buttrey (drums)
Railroad Bill (unreleased, Self Portrait, 3/4/70)
Traditional, arranged by Bob Dylan
Railroad Bill, Railroad Bill
He never worked, and he never will,
And it's ride, ride, ride.
Railroad Bill he was a mighty mean man
He shot the midnight lantern out of the brakeman's hand
And it's ride, ride, ride.
Railroad Bill you know he took my wife,
Said if I didn't like it, he would take my life.
I'm gonna ride, ride, ride.
Goin' up the mountain, goin' out west
.38 Spec a-stickin' out of my vest.
I’m gonna ride, ride, ride.
Buy me a pistol just as long as my arm
And shoot anybody who does me any harm.
I’m gonna ride, ride, ride.
Railroad Bill, Railroad Bill
He never worked, and he never will,
Ride, ride, ride.
Honey honey, honey think that I'm a fool
Think I would quit you when the weather is cool
Ride, ride, ride.
Bob Dylan (vocals, guitar, harmonica)
David Bromberg (guitar)
Al Kooper (piano)
Thirsty Boots (unreleased, Self Portrait, 3/4/70)
Written by Eric Andersen
You've long been on the open road
You've been sleepin in the rain
From the dirt of words and mud of cell
Your clothes are smeared and stained.
But the dirty words and muddy cells
Will soon be judged insane
So only stop and rest yourself
Till you are off again.
So take off your thirsty boots
And stay for a while
Your feet are hot and weary
From a dusty mile
And maybe I can make you laugh
And maybe I can try
I'm just lookin' for the evening
And the morning in your eyes.
But tell me of the ones you saw
As far as you could see
Across the plain from field to town
Marching to be free
And of the rusted prison gates
That tumbled by degree
Like laughing children one by one
Who looked like you and me
Take off your thirsty boots
And stay for a while
Your feet are hot and weary
From a dusty mile
And maybe I can make you laugh
And maybe I can try
I'm just lookin' for the evening
And the morning in your eyes.
I know you are no stranger down
The crooked rainbow trails
From dancing cliff-edged shattered sills
Of slender shackled jails
But the voices drift up from below
As the walls are being scaled
All of this and more my friend
Your song shall not be failed.
Then take off your thirsty boots
And stay for a while
Your feet are hot and weary
From a dusty mile
And maybe I can make you laugh
And maybe I can try
I'm just lookin' for the evening
And the morning in your eyes.
Bob Dylan (vocals, guitar, harmonica)
David Bromberg (guitar)
Al Kooper (piano)
This Evening So Soon (unreleased, Self Portrait, 3/4/70)
Traditional, arranged by Bob Dylan
Tell old Bill, when he comes home this morning,
Tell old Bill, when he comes home this evening,
Tell old Bill, when he comes home,
To leave them down-town girls alone
This morning, this evening, so soon.
Old Sal was baking bread this morning,
Old Sal was baking bread this evening,
Old Sal was baking bread
When she found out that her Bill was dead
This morning, this evening, so soon.
She said “Oh no, it can’t be so”, this morning,
“Oh no, it can’t be so”, this evening
She said “Oh no, it can’t be so,
My Bill left home about an hour ago”
This morning, this evening, so soon.
Well they brought Bill home in a hurry-up wagon this morning,
They brought Bill home in a hurry-up wagon this evening,
Well you know they brought Bill home in a hurry-up wagon,
His arms, his legs, his feet were dragging
This morning, this evening, so soon.
So soon, so soon, so soon.
Tell old Bill, when he comes home this morning,
Tell old Bill, when he comes home this evening,
Tell old Bill, when he comes home,
To leave them down-town girls alone
This morning, this evening, so soon.
So soon, so soon.
Bob Dylan (vocals, guitar, harmonica)
David Bromberg (guitar)
Al Kooper (piano)
These Hands (unreleased, Self Portrait, 3/3/70)
Written by Eddie Noack
These hands aren’t the hands of a gentleman,
These hands are calloused and old.
But these hands raised a family;
These hands built a home.
Now these hands raise to pray the Lord.
These hands won the heart of my loved one,
And with hers they were never alone.
If these hands filled their task,
Then what more can one ask?
For these fingers have worked to the bone.
Now don't try to judge me by what you'd like to be,
For my life ain't been much success.
While some people have power, but still they grieve
While these hands brought me happiness.
Now I'm tired and I'm old and I ain't got much gold
Maybe things ain't been all that I planned.
But Lord above, hear my plea, when it's time to take me
Take a look at these hard-workin' hands.
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
In Search of Little Sadie (without overdubs, Self Portrait, 3/4/70)
Traditional, arranged by Bob Dylan
Went out last night just to take a little round
I met my little Sadie and I brought her down
I ran right home and I went to bed
With a .44 smokeless under my head.
I began to think what a deed I done
I grabbed my head and I began to run
I made a good run but I run too slow
They overtook me down in Jericho.
Standin’ on the corner as he's ringin' my bell
Up stepped the sheriff of Thomasville
He says, "Young man is your name Brown?
Remember you blowed little Sadie down?''
"Oh, yes sir my name is Lee
I murdered little Sadie in first degree''
"First degree and second degree
If you got any papers, will you serve them to me.''
Well they took me downtown and they dressed me in black
They put me on a train and they sent me back
I had no one for to go my bail
They crammed me back into the county jail,
Oh yes they did.
Now the judge and the jury they took their stand
The judge had the papers in his right hand
Forty-one days, forty-one nights
Forty-one years with the ball and stripes, oh no.
Went out last night to take a little round
I met my little Sadie and I blowed her down
I run right home and I went to bed
A .44 smokeless under my head.
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
House Carpenter (unreleased, Self Portrait, 3/4/70)
Traditional, arranged by Bob Dylan
Well met, well met, my own true love
Well met, well met, cried he
I've just returned from the salt, salt sea
And it's all for the sake of thee
I could have married the king's daughter dear
And she would have married me
Then I have refused the crown of gold
And it's all for the sake of thee
If you could have married the king's daughter dear
I'm sure you are to blame
For I am married to the house carpenter
And he is a fine young man
If you'll forsake your house carpenter
And fly away with me
I'll take you to where the grass grows green
On the banks of the sweet Willie
If I forsake my house carpenter
And fly away with thee
What have you got to maintain me upon
And keep me from slavery
I've six ships sailing on the salt sea
Sailing from dry land
And a hundred and twenty jolly young men
Shall be at your command
She picked up her poor little babe
Her kisses were one, two, three
And as she trod upon her way
And shone like a glittering tree
They had not been at sea two weeks
I'm sure it was not three
When this poor maid began to cry
And she wept most bitterly
Oh do you weep for your gold, he said
Your houses, your land or your store?
Or do you weep for your house carpenter
The one you’ll never see anymore
The one you’ll never see anymore
I do not weep for my gold, she said
My houses, my land or my store
But I do weep for my poor little babe
That I never shall see anymore
They had not been at sea three weeks
I'm sure it was not four
When in their ship there sprang a great leak
And she sank to rise no more
No, she sank to rise no more
Farewell farewell, my own true love
Farewell farewell, cried she
I could have deserted my house carpenter
And grave them in the depths of the sea
For a grave in the depths of the sea.
Well met, well met, my own true love
Well met, well met, cried he
I've just returned from the salt, salt sea
And it's all for the sake of thee
Bob Dylan (vocals, guitar, harmonica)
David Bromberg (guitar)
Al Kooper (piano)
All the Tired Horses (without overdubs, Self Portrait, 3/5/70)
Written by Bob Dylan
All the tired horses in the sun
How am I supposed to get any ridin' done..
Bob Dylan (guitar)
David Bromberg (guitar)
Al Kooper (piano)
Hilda Harris, Albertine Robinson, Maeretha Stewart (background vocals)
DISC 2
If Not for You (alternate version, New Morning, 6/2/70)
Written by Bob Dylan
If not for you
Babe I couldn't find the door
Couldn't even see the floor
I'd be sad and blue
If not for you.
If not for you
The night would see me wide awake
But it would surely have to break
But it would not be new
If not for you.
If not for you
My sky would fall
The rain would gather too
Without your love
I'd be nowhere at all
I'd be lost
If not for you
An' you know it's true.
If not for you
Winter would have no spring
Couldn't hear the robins sing
I just wouldn't have a clue
If not for you.
Bob Dylan (vocals, piano)
Unknown (violin)
Wallflower (alternate version, 11/4/71)
Written by Bob Dylan
Wallflower, wallflower
Won't you dance with me?
I'm sad and lonely too
Wallflower, wallflower
Won't you dance with me?
I'm fallin' in love with you.
Just like you I'm wonderin' what I'm doin' here
Just like you I’m wonderin' what's goin' on.
Wallflower, wallflower
Won't you dance with me?
The night will soon be gone.
I have seen you standin' in the smokey haze
And I know that you're gon’ be mine one of these days
Mine alone
Wallflower, wallflower
Take a chance on me
Please let me ride you home.
Wallflower, wallflower
Won't you dance with me?
I'm sad and lonely too
Wallflower, wallflower
Take a chance on me
I'm fallin' in love with you.
Bob Dylan (vocals, guitar, harmonica)
Ben Keith (steel guitar)
Wigwam (without overdubs, Self Portrait, 3/4/70)
Written by Bob Dylan
Just listen to Bob's beautiful voice!!
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Al Kooper (piano)
Days of '49 (without overdubs, Self Portrait, 3/4/70)
Traditional, arranged by Bob Dylan
I'm ol' Tom Moore from the bummers' shore
In the the good ol' golden days
They call me a bummer and a ginsot too
But what cares I for praise
I wander round from town to town
Just like a rovin' sign
And all the people say
There goes Tom Moore in the days of '49.
In the days of old, in the days of gold
How often times I repine
For the days of old when we dug up the gold
In the days of '49.
My comrades they all loved me well
A jolly saucy crew
A few hard cases I will recall
Though they all were brave and true
Whatever the pitch they never would flinch
They never would fret or whine
Like good old bricks they stood the kicks
In the days of '49.
In the days of old, in the days of gold
How oftimes I repine
For the days of old when we dug up the gold
In the days of '49.
There was New York Jake the butcher's boy
He was always gettin' tight
And every time that he'd got booked
He was spoiling for a fight
That Jake rampaged against a knife
In the hands of ol' Bob Stein
An' over Jake they held a wake
In the days of '49.
In the days of old, in the days of gold
How often times I repine
For the days of old when we dug up the gold
In the days of '49.
There was Poker Bill one of the boys
Who was always in a game
Whether he lost or whether he won
To him it was always the same
He would ante up and draw his cards
And he would you go a hatful blind
In a game with death, Bill lost his breath
In the days of '49.
In the days of old, in the days of gold
In the days times I repine
In the days of old, in the days of gold
Those were days of '49.
There was Ragshag Bill from Buffalo
I never will forget
He would roar all day and he'd roar all night
And I guess he's roarin' yet
One day he fell in a prospect hole
In a roarin' bad design
And in that hole he roared out his soul
In the days of '49.
In the days of old, in the days of gold
How oftimes I repine
For the days of old when we dug up the gold
In the days of '49.
Of the comrades all that I’ve had
There's none that's left to boast
And I'm left alone in my misery
Like some ol' poor wanderin' ghost
And I pass by from town to town
They call me the ramblin' sign
There goes Tom Moore, a-bummer's shore
In the days of '49.
In the days of old, in the days of gold
How often times I repine
For the days of old when we dug up the gold
In the days of '49.
In the days of old when we dug up the gold
How oftimes I repine
For the days of old, in the days of gold
In the days of '49.
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Al Kooper (piano)
Working on a Guru (unreleased, New Morning, 5/1/70)
Written by Bob Dylan
Rain all around, windshield wipers movin',
Water on the ground, sure don't feel like groovin'.
Working on a guru,
Working on a guru,
Working on a guru, before the sun goes down.
Rain all around, I need me an umbrella.
Water on the ground, I am that kind of fella.
Looking for a guru,
Working on a guru,
Working on a guru, before the sun goes down.
Walking on the street, I need me an umbrella.
Just to keep it sweet, I am that kind of fella.
Looking for a guru,
Working on a guru,
Working on a guru, before the sun goes down.
Rain on the ground, windshield wipers movin',
Water all around, I sure don't feel like groovin'.
I'm working on a guru,
Yes, I'm working on a guru,
But I'm working on a guru, before the sun goes down.
Working on a guru,
Working on a guru,
Well, it's true, it could be you
I'm working on a guru.
Bob Dylan (vocals, guitar)
George Harrison (guitar)
Charlie Daniels (bass)
Russ Kunkel (drums)
Country Pie (alternate version, Nashville Skyline, 2/14/69)
Written by Bob Dylan
Just like ol' saxophone Joe
When he's got the hogshead up on his toe
Oh me, oh my
Love that country pie.
Listen to the fiddler play
When he's playin' till the break o'day
Oh me, oh my
Love that country pie.
Raspberry, strawberry, lemon and lime
What do I care
Blueberry, apple, cherry, pumpkin and plum
Call me for dinner, honey, I'll be there.
Saddle me up on a big white goose
Tie me on her and turn her loose
Oh me, oh my
Love that country pie.
Now I don't need much, that ain't no lie
Race..
Bob Dylan (vocals, guitar)
Bob Wilson (piano)
Charlie Daniels (guitar)
Charlie McCoy (bass)
Norman Blake (guitar)
Kelton D. Herston (guitar)
Peter Drake (steel guitar)
Kenneth Buttrey (drums)
I'll Be Your Baby Tonight (Live at the Isle of Wight Festival, 8/31/69)
Written by Bob Dylan
Shut the light
Shut the door
You don't have to worry anymore
I'll be your baby tonight.
Shut the light
Shut the shade
You don't have to be afraid
I'll be your, I'll be your baby tonight.
Well that mocking bird is gonna sail away
We're gonna forget it
That big fat moon's gonna shine like a spoon
We're gonna let it
You won't regret it.
Kick your shoes off
Do not fear
Bring that bottle over here
I'll be your, I'll be your baby tonight.
Well that mocking bird is gonna sail away
And we're gonna let it
That big fat moon's gonna shine like a spoon
We're gonna let it
You won't regret it.
Kick your shoes off
Do not fear
Bring that bottle over here
I'll be your, I'll be your baby tonight.
I'll be your, I'll be your baby tonight.
Bob Dylan (vocals, guitar)
Robbie Robertson (guitar)
Rick Danko (vocals, bass)
Garth Hudson (keyboards)
Richard Manuel (vocals, piano)
Levon Helm (vocals, drums)
Highway 61 Revisited (Live at the Isle of Wight Festival, 8/31/69)
Written by Bob Dylan
Oh, god said to Abraham, "Give me a son''
Abe said, "Man you must be puttin' me on!''
God said, "No'', Abe said "What?''
God said, "You can do what you want Abe but
The next time you see me comin' you better run''
God said "Where do you want this killin' done''
"Out on highway 61.''
Georgia Sam he had a bloody nose
Welfare department wouldn't give him no clothes
He asked poor Howard, "Where can I go?''
Howard said, "There's only one place I know''
Sam said, "Tell me quick man, I got to run''
?? pointed out with his gun
"That ol' highway 61.''
Well, Mack the finger said to Louie the king
"I got forty red white and blue shoestrings
And a thousand telephones that don't ring
Do you know where I can possibly get rid of this things''
Sam said, "Yes, I think it can be very easily done
??? on the setting sun
Put them on highway 61.''
Well the roving daughter on the twelfth night
She told the first father that things weren't right
"My complexion'', she said, "you know it's much too white''
"Come on over here girl, step into this light''
"Hm you're right, let me tell mother this has been done''
But the second mother was with the seventh son
And they were both out on highway 61.
Now the roving gambler he was very bored
Trying to create a next world war
He found a promoter who nearly fell on the floor
He said, "I never did engaged in this kind of thing before
But yes, I think I can very easily done
We'll just put some bleachers out in the sun
An' have it on highway 61.''
Bob Dylan (vocals, guitar)
Robbie Robertson (guitar)
Rick Danko (vocals, bass)
Garth Hudson (keyboards)
Richard Manuel (vocals, piano)
Levon Helm (vocals, drums)
Copper Kettle (without overdubs, Self Portrait, 3/3/70)
Written by Albert Frank Beddoe
Get you a copper kettle
Get you a copper coil
Fill it with new made corn mash
And never more you'll toil.
You'll just lay there by the juniper
While the moon is bright
Watch them jugs a-fillin'
In the pale moonlight.
Build you a fire with hickory
Hickory, ash and oak
Don't use no green or rotten wood
They'll get you by the smoke.
We'll just lay there by the juniper
While the moon is bright
Watch them jugs a-fillin'
In the pale moonlight.
My daddy he made whiskey
My granddaddy he did too
We ain't paid no whiskey tax
Since seventeen ninety two.
You'll just lay there by the juniper
While the moon is bright
Watch them jugs a-fillin'
In the pale moonlight
In the pale moonlight.
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Al Kooper (piano)
Bring Me a Little Water (unreleased, New Morning, 6/4/70)
Traditional, arranged by Bob Dylan
Sylvie is a good old girl, from Florida so they say
She came up here last April to pass some time away
Now won't you bring me a little water, Sylvie?
Bring me a little water now?
Bring me a little water, Sylvie?
For my tired brow
Sylvie came here Wednesday,
She came this morning by the light of the dawn
She comes up here now nearly all of the time
To see if she can carry on
Now won't you bring me a little water, Sylvie?
Bring me a little water now?
Bring me a little water, Sylvie?
For my tired brow
Sylvie says she loves me,
She says it all of the time
She always gets behind me,
When the hill is too high to climb
Now bring me a little water, Sylvie?
Bring me a little water now?
Bring me a little water, Sylvie?
For my tired brow
She brings beer and honey,
Brings me slop and beans
Brings me coconuts and candy,
Brings me turnip greens
Bring me a little water, Sylvie?
Bring me a little water now?
Bring me a little water, Sylvie?
For my tired brow
For my tired brow
Oh, for my tired brow
Bob Dylan (vocals, piano)
Charlie Daniels (bass)
David Bromberg (guitar)
Ron Cornelius (guitar)
Russ Kunkel (drums)
Hilda Harris, Albetine Robinson, Maeretha Stewart (background vocals)
Sign on the Window (with orchestral overdubs, New Morning, 6/5/70)
Written by Bob Dylan
Sign on the window says, "Lonely''
Sign on the door says, "No company allowed''
Sign on the street says, "You don't own me''
Sign on the porch says, "Three's a crowd"
Sign on the porch says that three's a crowd.
Her and her boyfriend went to California
Her and her boyfriend done changed their tune
My best friends said, "Now didn't I warn you
Brighton girls are like the moon
Brighton girls are like the moon.''
Looks like a-nothin' but rain
Sure gonna be wet tonight on main street
Hope that it don't sleet.
Build me a cabin in Utah
Marry me a wife, catch rainbow trout
Have a bunch of kids who call me Pa
That must be what it's all about
That must be what it's all about.
Bob Dylan (vocals, piano)
Charlie Daniels (bass)
David Bromberg (guitar, dobro)
Ron Cornelius (guitar)
Al Kooper (organ)
Russ Kunkel (drums)
String arrangement by Al Kooper & Charles Calello
Tattle O'Day (unreleased, Self Portrait, 3/4/70)
Traditional, arranged by Bob Dylan
I buyed me a little dog, color it was brown
I learned him to whistle, sing and dance and run.
His legs they were fourteen yards long, his ears they were quite broad
Around the world in half a day and on him I could ride.
Sing taddle o day.
I buyed me a little bull about four inches high
Everybody feared him that ever heard him cry
When he begins to bellow it made such melodious sound,
Till all the walls in London came tumbling to the ground.
Sing taddle o day.
I buyed me a flock of sheep, I thought they were all wethers
Sometimes they yielded wool, sometimes they yielded feathers.
I think mine are the very best sheep for yielding me increase
For every full and change of the moon they bring both lambs and geese,
Sing taddle o day.
I buyed me a little box about four acres square
I filled it full of guineas and silver so fair
Oh now I'm bound for Turkey, I'll travel like an ox
In my breeches pocket, I'll carry my little box
Sing taddle o day.
I buyed me a little hen, all speckled gay and fair
I sat her on an oyster shell, she hatched me out a hare
The hare it sprang a handsome horse full fifteen hands high
And him that tells a bigger tale would have to tell a lie
Sing taddle o day.
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Al Kooper (piano)
If Dogs Run Free (alternate version, New Morning, 6/5/70)
Written by Bob Dylan
If dogs run free, why not we
Across this swoopin' plain?
My ears hear a symphony
Two mules, trains and the wind
The best is always yet to come
Or so they explain to me
But every way is the right way
If dogs run free.
If dogs run free, then why not we
If dogs run free.
If dogs run free, why not me
Across the swamp of time
My mind weaves a tapestry
A fine design, a rhyme
Oh winds which rush my tale to thee
So it may flow and be
To each his own, it's all unknown
If dogs run free.
If dogs run free, then why not we
If dogs run free.
If dogs run free then what must be
Must be and that is all
True love can make a blade of grass
Stand up straight and tall
In harmony with the cosmic sea
True love needs no company
It can cure the soul
It can make it whole
If dogs run free.
If dogs run free, then why not we
If dogs run free.
If dogs run free, then why not we
If dogs run free.
If dogs run free, why not we
If dogs run free.
Bob Dylan (vocals, guitar)
Charlie Daniels (bass)
David Bromberg (guitar)
Ron Cornelius (guitar)
Russ Kunkel (drums)
Hilda Harris, Albertine Robinson, Maeretha Stewart (background vocals)
New Morning (with horn section overdubs, New Morning, 6/4/70)
Written by Bob Dylan
Can't you hear that rooster crowin'
Rabbit runnin’ down across the road
Underneath the bridge where the water flowed through
So happy just to see you smile
Underneath the sky of blue
On this new morning, new morning
On this new morning with you.
Can't you hear that motor turnin'
Automobile comin' into style
Comin' down the road for a country mile or two
So happy just to see you smile
Underneath the sky of blue
On this new morning, new morning
On this new morning with you.
The night passed away so quickly
It always does when you're with me.
Can't you feel that sun a-shinin'
Ground hog runnin' by the county stream
This must be the day that all my dreams come true
So happy just to be alive
Underneath the sky of blue
On this new morning, new morning
On this new morning with you.
So happy just to be alive
Underneath the sky of blue
On this new morning, new morning
On this new morning with you
New morning, new morning…
Bob Dylan (vocals, guitar)
Charlie Daniels (bass)
David Bromberg (guitar)
Ron Cornelius (guitar)
Al Kooper (organ)
Russ Kunkel (drums)
Horn arranged by Al Kooper & Charles Calello
Went to See the Gypsy (alternate version, New Morning, 6/5/70)
Written by Bob Dylan
I went to see the gypsy
Stayin' in a big hotel
He smiled when he saw me comin'
An' he said "Well, well, well''
His room was dark and crowded
Lights were low and dim.
"How are you?'', he said to me
I said it back to him.
I went down to the lobby
To make a small call out
A pretty dancin' girl was there
An' she began to shout
"Go on back to see the gypsy
He can move you from the rear
Drive you from your fear
Bring you through the mirror
He did it in Las Vegas
An' he could do it here.''
“He could do it here.''
Outside the lights were shinin'
On a river of tears
I watched them from a distance
With music in my ears.
I went back to see the gypsy
It was nearly early dawn
The gypsy's door was opened wide
But the gypsy was gone
An' that pretty dancin' girl
She could not be found
So I watched that sun come rising up
From that little Minnesota town
From that little Minnesota town.
Bob Dylan (vocals, electric piano)
Belle Isle (without overdubs, Self Portrait, 3/3/70)
Traditional, arranged by Bob Dylan
One evening for pleasure
I rambled to view the fair fields all alone
Down by the banks of Loch Erin
Where beauty and pleasure were known
I spied a fair maid at her labor
Which caused me to stay for a while
And I thought of a goddess of beauty
Bloomin' bright star of bright isle.
I humbled myself to her beauty
"Fair maiden where do you belong?
Are you from heaven descended
Abiding in Cupid's fair throng.''
"Young man I will tell you a secret
It's true I'm a maid that is poor
And to part from my vows and my promise
Is more that my heart can endure.
Therefore I'll remain at my service
And go through all my hardship and toil
And wait for the life that has left me
All alone on the banks of Belle Isle.''
"Young maiden I which not to banter
'T'is true I've come here in disguise
I came here to fulfill our last promise
And hoped to give you a surprise
I own you're a maid I love gently
An' you've been in my heart all the while
For me there is no other damsel
Than my bloomin' bright star of Belle Isle.''
Bob Dylan (vocals, guitar)
David Bromberg (guitar)
Time Passes Slowly #2 (alternate version #2, New Morning, 6/2/70)
Written by Bob Dylan
Time passes slowly
Up here in the mountains
We sat beside bridges
And walked beside fountains
Catch the wild fishes
That float through the stream
Times passes slowly
When you're lost in a dream.
Once I had a sweetheart
She was fine and good lookin’
We sat in her kitchen
While her mama was cookin'
Starin' out the window
To the stars high above
Time passes slowly
When you're searchin' for love.
Ain't no reason to go
In a wagon to town
Ain't no reason to go
To the fair
Ain't no reason to go up
Ain't no reason to go down
Ain't no reason to go anywhere.
Time passes slowly
Up here in the daylight
We stared straight ahead
An' tried so hard to stay right
Like a red rose of summer
That blooms in the day
Time passes slowly
Then fades away.
Bob Dylan (vocals, piano)
Charlie Daniels (bass)
David Bromberg (guitar)
Ron Cornelius (guitar)
Al Kooper (organ)
Russ Kunkel (drums)
When I Paint My Masterpiece (demo version, 3/19/71)
Written by Bob Dylan
Oh the streets of Rome are filled with rubble
Aged footprints are everywhere
You can almost think that you're seeing double
On a cold dark night by the Spanish stairs
Got to hurry on back to my hotel room
Where I got me a date with pretty little girl from Greece
She promised she'd be right there with me
When I paint my masterpiece.
Oh the hours I’ve spent inside the coliseum
Dodging lions and wastin' time
Oh those mighty kings of the jungle
I could hardly stand to see 'em
It sure has been a long hard climb.
Train wheels runnin' through the back of my memory
When I ran on a hilltop following a pack of wild geese
Someday everything is gonna sound like rhapsody
When I paint my masterpiece.
Sailing around the world in a dirty gondola
Sure wish I hadn’t sold my old Victrola
Ain’t nothing like to that good old rock-n-rolla
I left Rome and pulled into Brussels
On a plain ride so bumpy that I almost cried
Clergymen in uniform and young girls pullin' muscles
Everyone was there to greet me when I stepped inside
Newspapermen eating candy
Had to be held down by big police
Someday everything is gonna be different
When I paint that masterpiece.
Bob Dylan (vocals, piano)
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